JULEE VICTORIA
Design, Art Direction, Creative Coding
Feed Overview

julee victoria works as a designer + art director + typographer exploring the intersection of design, technology, and identity. Her work spans digital, editorial, brand, and print design.

On weekends, she’s an up and coming DJ. 

let’s chat 
hey.juleevictoria@gmail.com
THE NEW YORK TIMES
GAMES
Art direction, illustration, social, and product design for NYT Games.


Illustration by Erik Carter
Illustrations by Kathleen Fu for Wordle Review
Illustration by Sergey Isakov


THE NEW YORK TIMES
BRAND ID/AUDIOUpdted and expanded the look of NYT’s podcasts across social platforms.




SALITOSalito is a warm, nostalgic Cuban restaurant identity designed to bring people together long after sunset. I created a playful, sensory brand system that lives in bold type, historical/generational imagery, and tactile details — from menus and packaging to motion and events. This project explores how a digital identity becomes a tangible, communal experience that people can feel, share, and remember. It reflects my love for storytelling, atmosphere, and design that connects ideas to real spaces and moments.



THE NEW YORK TIMES: SPECIAL SECTIONDuring the course of my fellowship at The New York Times, I designed, art directed and lead a cross newsroom art project for a special feature on art and focus. I collaborated with design directors, editors and journalists to craft a 16-page section that not only teaches readers on how to analyze art pieces, but also how to practice focus and presence in their daily lives. Unreleased.



THE NEW YORK TIMES: NEWS DESIGN
As a Print News Design Fellow at The New York Times, I designed daily and feature pages for the print edition, working closely with editors, photo editors, and reporters to shape complex stories into clear, engaging layouts. Days ranged from racing to meet tight breaking news deadlines to crafting thoughtful visual narratives for long-form features.



THE NEW YORK TIMES: FEATURESAs the Print Design Fellow on Feature at The New York Times, I designed pages for special sections, long-form stories, and cultural coverage that invited readers to linger and explore. Projects ranged from multi-page features and profiles to art, style, and culture spreads that balanced imagery and text with care. Layouts highlighted the richness of reporting while giving photography and illustration room to breathe. Close collaboration with editors, photo editors, and art directors ensured every spread felt intentional and engaging. Visual storytelling tools — custom typography, infographics, and playful design elements — brought depth and personality to each piece.





TEDDY SANSI designed this custom typeface in collaboration with Useful School & Billie for Pinna.fm, capturing the brand’s unique voice through playful, story-driven letterforms. I focused on details that reflect the fun, curiosity, and youthful energy of Pinna’s content and audience. This project explores how subtle choices — shape, rhythm, weight — can turn a digital type system into a living, tangible expression of identity. It reflects my love for craft, narrative, and making design feel personal and human, down to every curve and counter. Typeface finalized by Yihuang Zhou.




PENTAGRAM DESIGN
PFIZERBringing Pfizer’s purpose to life through design. Role: Brand ID, Iconography. Full case study here.